"The appeal, I think, is in letting go of language when I’m working photographically, and having a purely visual vocabulary to employ. And my photographic work, because I work in a way that requires preparing paper and brushing on sensitizer, has an element of the hand in it, which carries an immensely pleasurable and meaningful feel that does not exist when writing. I think each genre affords me space from the other, and also lessons about the other."
Read the Rob McLennan's interview with Andrew Seguin here.
